Tuesday, September 22, 2015
Cambridge in color
Cambridge in color is basically just giving us information about camera exposure, understanding exposure,the exposure triangle which is aperture ISO and shutter speed. The rest of this is just shutter speed and it gives you a chart of typical examples.
Monday, September 21, 2015
Irving Penn
This is a photograph by Irving Penn. He is known for his iconic fashion, portrait and still life images which appeared in Vogue, ranks as one of the most foremost photographers of the 20th century.
Thursday, September 17, 2015
Ansel Adams
-The color on this picture focuses more on the rose because since the picture is black and white the most light part is the rose.
-The texture is soft mostly on the rose.
-The contrast is mostly on the rose because it doesn't have background.
So mostly this picture has a focus on the rose there isn't anything around except for where the rose was placed. It seems to be placed on a wooden table. It has a dark background as well.
-The texture is soft mostly on the rose.
-The contrast is mostly on the rose because it doesn't have background.
So mostly this picture has a focus on the rose there isn't anything around except for where the rose was placed. It seems to be placed on a wooden table. It has a dark background as well.
Wednesday, September 16, 2015
Weegee by Weegee
I find Weegee very strange and different. I like how he is his own boss and doesn't have to deal with others. His pictures grab my attention because they are in the moment and he doesn't need models.
Tuesday, September 15, 2015
is always me, available at any time. When you lose a loved one, you suffer. But if you know how to look deeply, you have to realize that his or her nature is truly the nature of no-birth, no-death. There is manifestation, and there is the cessation of manifestation. You have to be alert to recognize the new manifestations of one person. But with practice and effort, you can do it. pay attention to the world around you, to the leaves and the flowers to the birds and the rain. If you can stop and look deeply, you will recognize your beloved manifesting again and again in many forms. You will release your fear and pain and again embrace the joy of life.
Thursday, September 10, 2015
Tuesday, September 8, 2015
Thursday, September 3, 2015
Tuesday, September 1, 2015
F/Stops
f/stops are a bit more confused because the numbers appear a bit arbitrary. The reason that both the halving and the smaller numbers mean more lighter light things make sense is that the f/stop is a ratio. The ratio is between the diameter of the aperture in the lens and the focal length of the lens. The focal length is generally measured in millimeters, so we'll stick with those as our unit of measure. On a 50mm lens, f/2 is saying that the diameter of the aperture is 25mm. The ratio is: 50/25 = 2. That seems pretty straightforward. A good question might be, what is the area of that aperture? Well, the aperture is usually a set of five to fifteen blades which form a roughly circular hole, so we'll use the formula for the area of a circle, which as I'm sure you'll recall is &pi * radius2. For π I'll use 3.14159265. On our 50mm lens, the aperture at f/2 has a diameter of 25mm which is a radius of 12.5mm. The area of the aperture is thus π X 12.52, or 3.14159265 X 156.25, or 490.9 square millimeters.
f/stops are a bit more confused because the numbers appear a bit arbitrary. The reason that both the halving and the smaller numbers mean more lighter light things make sense is that the f/stop is a ratio. The ratio is between the diameter of the aperture in the lens and the focal length of the lens. The focal length is generally measured in millimeters, so we'll stick with those as our unit of measure. On a 50mm lens, f/2 is saying that the diameter of the aperture is 25mm. The ratio is: 50/25 = 2. That seems pretty straightforward. A good question might be, what is the area of that aperture? Well, the aperture is usually a set of five to fifteen blades which form a roughly circular hole, so we'll use the formula for the area of a circle, which as I'm sure you'll recall is &pi * radius2. For π I'll use 3.14159265. On our 50mm lens, the aperture at f/2 has a diameter of 25mm which is a radius of 12.5mm. The area of the aperture is thus π X 12.52, or 3.14159265 X 156.25, or 490.9 square millimeters.
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